B is For Bob

  • B is For Bob
    2009
  • B is for Bob is a collection of original Bob Marley songs re-imagined for kids and fans of all ages!! The international musical legend's eldest son, four-time Grammy winner Ziggy Marley, executive produced the album, which bridges the gap between the timeless Bob Marley and a new generation of kids. Bob Marley's music touches people of all ages. With children in mind, Ziggy has transformed 8 of his father's songs while leaving 4 of Bob Marley's other masterpieces untouched.
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Africa Unite

  • Africa Unite
    2005
  • Twenty-track compilation shares eleven songs with Legend, dropping "Stir It Up," "Redemption Song" and "Satisfy My Soul" in favor of tracks recorded before Marley was signed to Island, like "Soul Rebel" and "Trenchtown Rock." It also includes the previously unreleased "Slogans," thought to have been recorded by Marley in a Miami bedroom in 1979, with overdubbed guitar noodling by Eric Clapton.
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One Love

  • One Love
    2001
  • This 20-track collection contains the great bulk of that classic compilation, but where that album has its own internal logic -- one of the reasons it is undeniably a classic compilation -- this devotes itself to a chronological spin through Marley's catalog, containing almost every song on that record.
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Songs of Freedom

  • Songs of Freedom
    1992
  • SONGS OF FREEDOM is exhaustive and beautifully packaged. It is loaded with previously unreleased material, songs from the Ska years, the late-60's Lee Perry productions, and all of the highlights of the Island years. There are extended versions of famous singles like "Exodus" and "Jammin'" so that we can hear dub aspects of the music that only Jamaicans and hardcore fans were previously aware of.
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Talkin' Blues

  • Talkin' Blues
    1991
  • The seven tracks taken from the Wailers' legendary October 1973 radio broadcast on KSAN, in San Francisco, are sufficient cause to celebrate. These vintage, deliciously raw performances, which feature Tosh and noted Jamaican vocalist Joe Higgs (subbing for Bunny Wailer, who had just quit the band), are as vital as those on the epochal 1975 album Live! and capture Marley's riddim rebellion at a critical juncture, just as he began to take Babylon by storm.
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Rebel Music

  • Rebel Music
    1986
  • REBEL MUSIC is a collection of Marley's songs that simultaneously speaks of the oppressed masses and calls for justice. All this was accomplished with the help of a select group of crack musicians including the I-Threes (whose harmonies are prominent in the title track) and the Barrett Brothers rhythm section, who soldiered on after the departures of Peter Tosh and Bunny Wailer. Along with the surprisingly upbeat title track, REBEL MUSIC is made complete with a live version of "Get Up, Stand Up," the quintessential protest song.
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Legend

  • Legend
    1984
  • The greatest hits collection of Bob Marley and the Wailers. After its release, it became the best selling reggae album of all time with sales of more than 20 million copies.
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Confrontation

  • Confrontation
    1983
  • A posthumous collection produced by Rita Marley, based on work left behind by Bob upon his death. Some of his best post-Wailers work is here, with songs like "Buffalo Soldier," "Chant Down Babylon," and "Blackman Redemption." Given that he wasn't alive to do the production that he usually helped in, this album seems remarkably true to the general vision of Bob Marley's albums.
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Uprising

  • Uprising
    1980
  • Uprising would be the final studio album featuring Bob Marley & the Wailers to be released during Marley's lifetime. Prophetically, it also contains some of the band's finest crafted material, as if they were cogent that this would be their final outing. The album's blend of religious and secular themes likewise creates a very powerful and singular quest for spirituality in a material world.
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Survival

  • Survival
    1979
  • Containing what is considered Marley's most defiant and politically charged statement to date, Survival concerns itself with the expressed solidarity of not only Africa, but of humanity at large. The album was controversial right down to the jacket, which contains a crude schematic of the stowage compartment of a typical transatlantic slave ship. Survival is intended as a wake-up call for everyman to resist and fight oppression in all of its insidious forms.
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Kaya

  • Kaya
    1978
  • Kaya continues what has become an unspoken tradition in the evolution of Bob Marley & the Wailers discography - blending western sounds and motifs with the icons and traditions from the very core of Jamaican society. Likewise, the album Kaya could be easily construed as an open love letter or musical paean to the lifestyle that Marley so eagerly embraced and promoted.
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Babylon By Bus

  • Babylon By Bus
    1978
  • Arguably the most influential live reggae album ever, Babylon by Bus captures Bob Marley and the Wailers during the European leg of their Kaya tour in the spring of 1978. The success of this set was not entirely unexpected, however. If the universal and widespread acclaim of LIVE! - their first concert recording - was an indicator, all involved knew that a Bob Marley & the Wailers performance contained unique energies and a vibe all of its own.
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Exodus

  • Exodus
    1977
  • Recorded in London following an attempt on his life, Exodus shows Bob Marley mellowing a bit. Despite some powerful political tracks, Marley adopts a less fiery, more reflective approach than his previous outings. Still, it's hard to find reggae as good as this.
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Rastaman Vibration

  • Rastaman Vibration
    1976
  • Upon completing the tour, Marley and his band returned to Jamaica, laying down the tracks for Rastaman Vibration (1976) at legendary studios run by Harry Johnson and Joe Gibbs. At the mixing board for the sessions were Sylvan Morris and Errol Thompson, Jamaican engineers of the highest caliber.
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Bob Marley and The Wailers Live!

  • Bob Marley and The Wailers Live!
    1975
  • As the title implies, this is indeed Bob Marley & the Wailers captured in performance at the Lyceum Ballroom in London during the final U.K. leg of the Natty Dread tour. Passionate and symbiotic energies constantly cycle between the band and audience, the net result of which is one of the most memorable concert recordings of the pop music era.
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Natty Dread

  • Natty Dread
    1974
  • A reggae classic and cover staple, what Natty Dread evinces is Marley's remarkable musical control. "Lively Yourself Up" is cool and stripped down -- every guitar note and percussive shake seems necessary.
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African Herbsman

  • African Herbsman
    1973
  • To Bob Marley's emotionally charged music and lyrics, add the tight riddims and harmonies of the Wailers and then put all of that talent into the ceaselessly creative hands of production wizard Lee "Scratch" Perry.
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Catch a Fire

  • Catch a Fire
    1973
  • Catch a Fire was the major label debut for Bob Marley and the Wailers, and it was an international success upon its release in 1973. Although Bob Marley may have been the main voice, every member of the Wailers made valuable contributions and they were never more united in their vision and sound. All the songs were originals, and the instrumentation was minimalistic in order to bring out the passionate, often politically charged lyrics.
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Soul Rebels

  • Soul Rebels
    1970
  • Released in 1970, marked the beginning of a new era for the Wailers. It was the first album to be released under the name "Bob Marley & the Wailers", even though the trio had been releasing singles for over five years.
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Play Play

  • Play Play
    2004
  • A greatest hits collection. Recording Dates: 1967 - 1972
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Sings Bob Marley and Friends

  • Sings Bob Marley and Friends
    2003
  • Rita Marley's Sings Bob Marley...and Friends isn't the long-awaited return to recording fans have waited for, but a collection of previously released material recorded and influenced by her late husband.
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Sunshine After Rain

  • Sunshine After Rain
    2003
  • Personnel: Rita Marley (vocals, background vocals); Bob Marley (vocals); Noah Lebenzon, Lincoln Thomas (guitar); Sheldon Bernard (organ); Ronnie Wilson (keyboards, programming, background vocals); Sam Noel (keyboards, programming); Tyrone Downie (keyboards); Donovan Miller (drums); Jaco Largent, Sticky Thompson (percussion); Rachael Brown, Grub Cooper (background vocals).
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Harambe

  • Harambe
    1988
  • The discreet backup style allows Rita's vocal star to shine; she's in especially fine fettle on the bouncy title track. The unhurried grooves that made Who Feels It Knows It so appealing -- spiced with unobtrusive guitars and keyboards -- are fully evident here, while the rhythm work is sturdy and self-assured. Not surprisingly, Rita retains the moral authority of her late husband's finest work: "Fussing and Fighting" is a stern warning against internecine squabbling, and "The Beauty of God's Plan" revisits the world's existence through the lens of Rasta theology.
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We Must Carry On

  • We Must Carry On
    1988
  • Earthy and unpretentious, We Must Carry On is very close in spirit to the American soul music of the '60s and early '70s. Both her own songs and Bob Marley compositions like "Who Colt the Game" and "So Much Things to Say" beautifully demonstrate just how effective simplicity can be.
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Who Feels It Knows It

  • Who Feels It Knows It
    1981
  • Fueled by the controversial single "One Draw," Who Feels It Knows It was the album that truly put Rita Marley on the map as a solo artist. "One Draw," a hilarious ode to sinsemilla, was a big seller in England and Jamaica despite its problems at radio - like Peter Tosh's "Legalize It" several years earlier, "One Draw" was banned from airplay on British radio by the BBC.
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Mind Control (Acoustic)

  • Mind Control (Acoustic)
    2008
  • Stephen Marley re-recording some of his favorite songs from his 2007 effort Mind Control and offering a mellower, more intimate, and entirely more organic alternative to the originals.

    See Track Listing »

    #Track TitleTime
    1Chase Dem5:48
    2Iron Bars3:57
    3Lonely Avenue4:11
    4Mind Control4:30
    5You're Gonna Leave4:39
    6The Mission4:33
    7The Traffic Jam4:07
    8Fed Up4:20
    9Hey Baby4:48
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Mind Control

  • Mind Control
    2007
  • Thoroughly immersed in music since birth, open to sounds both new and old and from near and far, and with that genetic Jamaican talent for borrowing others' styles but remaking them as one's own, Marley has crafted an album that's timeless and borderless, but still reggae in feel and thoroughly fresh in sound.

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    #Track TitleTime
    1Mind Control4:21
    2Hey Baby4:54
    3Officer Jimmy (Interlude):14
    4Iron Bars4:14
    5The Traffic Jam3:40
    6You're Gonna Leave3:43
    7Chase Dem4:15
    8Lonely Avenue3:08
    9Let Her Dance4:17
    10Fed Up4:20
    11Inna di Red6:22
    12Woman I Love You4:13
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Radio

  • Radio
    2007
  • Radio's atmospheres are overwhelmingly introspective, if not outright brooding, its auras shadowed, at times gloomy, with the bluesy "Breakdown" pushing toward the gothic; the inspiration could be dread roots, but not necessarily.

    See Track Listing »

    #Track TitleTime
    1I'm back3:21
    2The March4:10
    3Slow Roll4:04
    4One Time4:22
    5Hustler5:53
    6The Conversation4:40
    7Royal Vibes4:38
    8I Got You3:37
    9Jezebel4:27
    10So Hot3:34
    11Ghetto Soldier4:02
    12Breakdown3:25
    13I Pray4:39
    14The March4:12
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Many More Roads

  • Many More Roads
    2001
  • On Many More Roads, the 21-year-old singer offers a sometimes stunning approximation of his late, great father, turning in a sophomore album that's the most impressive effort by any Marley in ages.

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    #Track TitleTime
    1Who We Are3:54
    2Many More Roads3:49
    3Heart of a Lion3:44
    4Yesterday4:02
    5Freedom3:49
    6Love in the Morning3:55
    7Ska-Ba-Dar3:49
    8Valley of Decision3:49
    9Giving I a Fight4:00
    10In a De Dance3:43
    11Warning3:47
    12Hailie I3:51
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Awake

  • Awake
    2009
  • Influenced by the passing of his grandmother, Cedella Marley Booker, the song is a beautiful plea for the youth to open their eyes and let peace, love, and harmony into their heart, but this melodic mix of emo-pop and island music is an anomaly, opening up an otherwise unsurprising Julian Marley album.

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    #Track TitleTime
    1Awake4:40
    2Boom Draw5:39
    3On the Floor4:24
    4Rose Hall3:58
    5A Little Too Late4:58
    6Just in Time3:43
    7Jah Works3:18
    8Oh Girl3:41
    9Violence In the Streets5:00
    10All I Know3:50
    11Stay With Me4:23
    12Sharp as a Razor4:04
    13Things Ain't Cool3:53
    14Trying4:11
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A Time and Place

  • A Time and Place
    2003
  • Julian Marley's 2003 offering is an organic fusion of rootical reggae and breezy jazz sounds that represent the next milestone in his artistic path.

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    #Track TitleTime
    1Father's Place4:06
    2Where She Lay5:55
    3Harder Dayz4:25
    4Build Together4:03
    5Summer Daisies5:54
    6One Way Train4:31
    7Systems3:48
    8I'll Never5:05
    9Sitting in the Dark4:35
    10Rock With Me
    11Sunshine4:11
    12Couldn't Be the Place3:57
    13Time5:05
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Lion in the Morning

  • Lion in the Morning
    1996
  • Julian explores jazz, blues and rock as well as reggae on Lion in the Morning.

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    #Track TitleTime
    1Loving Clear3:54
    2Blossoming and Blooming4:12
    3Lion in the Morning3:56
    4Now You Know4:34
    5Babylon Cookie Jar4:22
    6Same Old Story3:48
    7Attack Back4:00
    8Arm Your Soul4:14
    9Ease These Pains3:31
    10When the Sun Comes Up3:51
    11Got To Be4:08
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Welcome to Jamrock

  • Welcome to Jamrock
    2005
  • Welcome to Jamrock the album is the full-length revolution that's filled with purposeful material.

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    #Track TitleTime
    1Confrontation5:29
    2There For You4:41
    3Welcome to Jamrock3:33
    4The Master Has Come Back
    5All Night3:30
    6Beautiful4:48
    7Pimpa's Paradise5:04
    8Move!3:44
    9For the Babies4:53
    10Hey Girl4:15
    11Road to Zion5:17
    12We're Gonna Make It4:20
    13In 2 Deep4:45
    14Khaki Suit3:57
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Halfway Tree

  • Halfway Tree
    2001
  • In Kingston, Jamaica, the neighborhood of Halfway Tree is seen as a meeting place, a junction between the rich and poor parts of town. Damian Marley, the youngest son of reggae icon Bob Marley, wants his music to do the same thing, to be a bridge between the rich and the poor, the new and the old.

    See Track Listing »

    #Track TitleTime
    1Educated Fools5:17
    2More Justice3:35
    3It Was Written6:01
    4Catch a Fire4:51
    5Still Searching5:05
    6She Needs My Love4:17
    7Mi Blenda4:41
    8Where Is the Love?5:08
    9Harder (Interlude):42
    10Born to Be Wild4:01
    11Give Dem Some Way4:01
    12Halfway Tree1:45
    13Paradise Child4:01
    14Stuck in Between3:43
    15Halfway Tree5:25
    16Stand A Chance9:32
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Mr. Marley

  • Mr. Marley
    1996
  • Debut album from Damian Marley featuring original tracks and unique versions of select Bob Marley tracks.

    See Track Listing »

    #Track TitleTime
    1Trouble5:34
    2Love and Inity4:03
    310,000 Chariots4:26
    4Old War Chant
    5Party Time4:12
    6Kingston 123:33
    7Keep on Growing4:35
    8Searching (So Much Bubble)4:59
    9One More Cup of Coffee4:26
    10Julie
    11Me Name Jr. Gong3:51
    12Mr. Marley4:26
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